March 10, 2012

Photography Tip # 5

Graffiti Stock Image, Stock photo of wall graffiti


Sometimes a single color can be the main (& the only) subject of your photograph.

Colors create strong images, don’t take them for granted… instead, make a creative use of them in your photography!

Find more stock images of wall graffiti here!

Image Copyrights ©2012 Gyaneshwari Dave

March 2, 2012

Smart phone cameras Vs Compact cameras: Is This The Decisive Moment?



“Sales of point and shoot (compact) cameras fell 30% by value in 2011 compared with the year before” 
...This one line is everywhere in the news. 

First it was Apple’s iPhone 4S and now - the just announced, Nokia’s 808 PureView (yet to arrive on shelves). Smart phone cameras are stealing the thunder from the compact cameras like never before (The heavy-weight DSLR cameras are not a part of this equation because of their obvious distinction in price and technical superiority.) 

During this very interesting phase of photography industry, what really makes me wonder is do camera-phones already have it all to replace the dedicated (compact) cameras?

Since last 1-2 years, I have been constantly getting amazed by the amount of people clicking away “snapshots” with their cell-phones. I used the term “snapshot” here, because while these two terms “snaps” and “photographs” are used almost interchangeably, the fact of the matter is, they are different.

When you roughly capture something, perhaps just to document an event or object, without putting much thought into “creating” a picture, it is a snapshot. While a photograph is a much more thoughtful execution of the art form, where you pay close attention to the details (of exposure, composition, image quality etc.).

Knowing this difference holds all the more relevance today, in fact, more than ever.

It is the knowledge of this difference coupled with your own level of interest and sensibilities about photography that will decide what you will buy for your next holiday trip… A smart phone camera or an independent compact camera…

If you are a casual shooter- never using all the features of a dedicated camera, preferring convenience over the photographic control, smart phones is the perfect choice.
By buying a smartphone camera, you can have both - a smart cellphone and an acceptable quality camera, for the cost of one!

Some latest smart phones are doing a pretty decent job as far as camera is concerned (and my vote goes to iPhone 4S as of today). With a phone camera you will always have it with you when you need it (who forgets the mobile-phone when going out). And you can get the instant connectivity to internet for sharing and uploading your photos on web. Also, as far as iPhone 4S is concerned there are some really impressive image-editing features too.

But, if you are a bit serious about your photography, you might miss out some things by relying solely on your phone camera. 

Following are the reasons why someone serious about photography will not leave his/her dedicated camera at home when heading to that exotic holiday destination...
  
1) Absence of optical zoom

Optical zoom is provided by the lens (i.e. the optics) preserving the image quality. Most of the compact cameras of today have anywhere between 3X to 10X (or even more) optical zoom. Whereas cell phone cameras use digital zoom only, resulting in loss of details in the image.

2) Image stabilization

Cell phone cameras don’t use in-camera optics for image stabilization. They either have digitally enabled image stabilization or don’t have the image stabilization at all.

3) Shutter button location

In some touch-screen smart-phones the shutter button is on the screen. The very sensitive touch screen interface sometimes makes it difficult to locate the button and click the shot while keeping the phone still.

4) Sensor size and flash quality

The image sensors of cell phone cameras are generally smaller than the ones on the compact cameras. Cell phone cameras produce noisy images at high ISOs. Also the images often lack basic color details and tonal balance. Generally, in low light situations phone cameras perform very poorly.
Also, phone cameras have a much room for improvement as far as their in-built Xenon flash is concerned.

5) Megapixels 

Barring some pricy and higher-end models, phone cameras cannot boast of the mega-pixels ranges that compact cameras can offer. Megapixels is not everything to judge the quality of a camera but there is every possibility that you grab some rare shot and then want to make a larger print out of it. Cell-phone cameras have a major limitation in this department due to smaller megapixels. Well, nobody wants to take a chance while it is the question of preserving some special and rare moments of life…

                                                   What I conclude in general is, cell-phone cameras may be good enough for day to day photography and candid shots but compact cameras make sense even today if you care about image quality and the serious creative control over your photography and they are here to stay until the cell-phone cameras overcome all of the above mentioned limitations.

Image & Article © 2012 Gyaneshwari Dave


February 15, 2012

lensdepictions.com Gets Recognized By photographersselection.org!

www.lensdepictions.com gets selected by famous Black & White photography artist Jan Keteleer of Belgium to feature on - photographersselection.org, well-known for promoting exceptionally skilled photographers.

Lensdepictions.com remained as the “Featured Website” on the FRONT-PAGE (Home-page) of the reputed website for three consecutive days from 12th Feb to 14th Feb 2012! 

Below is the tear sheetNow you can find it on the “Stories of photographers” section there.


Jan Keteleer(JanKe) who is famous through his art exhibitions like "Roots With Taboo" and "Speechless" throughout the world has won several international awards. His photographs have found permanent place at prestigious locations like Brussels International airport Art Gallery and Virgin Airlines Airplanes Bodies to name a few!



It is extremely flattering to be recognized by a seasoned photographer like Jan Keteleer. His admiration for my professionalism in quality and originality of photography is the best compliment I have received for my work so far, proudly!



The article published by the renowned website is - about myself, my photography, and last but not the least- This blog! Read the article here.


© 2012 Gyaneshwari Dave




February 10, 2012

11 Things To Pack For A Photography Trip - Other Than The Camera!


While it is only rare that I am accompanied by any friends on a serious photography trip (well, I cannot and would not like to try their patience…) but on many occasions they have a look at my backpack/bag and are really curious to know what might possibly be in there. 


Here is a sneak peek into my bag for outdoor photography. 


I would skip my DSLR and the Lenses from the list, simply because these two things are so very obvious to be there in the bag when you go for a dedicated photography trip.





THE TRIPOD!

I try and make it a point to use it at least for landscape photography. Also, it is great when you want to shoot outdoor self-portraits!


MANUALS OF THE CAMERAS!

It's good to refer to your camera manuals every now and then, and the best time to do this, is while you are on your way to your photography destination. 
It helps two ways, it prevents you from getting in that rut of a certain style of photography (Of course! The more you explore your camera, the more you experiment!), and secondly, in case  your camera mal-functions or gets damaged all of a sudden, you know exactly what is to be done.



MINI-LAPTOP!

You never know when you stumble upon that treasure of frames, and run out of memory in your camera. A Netbook/Mini laptop doubles up as back-up storage while providing for an instant review of the images on location as well!




USB CABLE OF THE CAMERA!

Obvious when you carry that laptop!



THE COMPACT CAMERA!

There are certain situations when you don't want to put your costly DSLR at risk, or simply it is too bulky to handle for the given situation, you can always take out your compact camera and make sure you don't miss a good frame entirely.




A NON-PHOTOGRAPHY BOOK, OR TWO!

This applies more when your trip is made of days and not hours... It is always a good idea to read something not related to photography, not only it refreshes you; it may provide some unique inspirations too!




THE BUSINESS CARD!

There are circumstances when you are photographing at certain places, and you are breaking some laws (of-course not the serious ones :) knowingly or unknowingly...at these times, you can always hand over your business card and make your situation more convincing.



A SMALL NOTEPAD & A PEN!

I have a habit of jotting down things- about the location, the lighting conditions, the mistakes I may have made during capturing some shots and so on...Sometimes, I draw tentative sketches of some noteworthy compositions too...



PLASTIC BAGS!

In case of sudden downpour, nothing can be more handy and portable for saving the camera. Also, in windy situations, you can change the lens by putting the camera inside the plastic bag!



A CLEAN NAPKIN!

Be it water or dust, it is always better to keep the enemies of your gear at bay!



BATTERY CHARGER!

Last but certainly not the least…particularly when you want to shoot for long hours or stay overnight at some place!



Images & Article © 2012 Gyaneshwari Dave


February 1, 2012

Photography Tip # 4

Stock Image of Roman colosseum Italy.























While photographing famous historical monuments, always INCLUDE SOME HUMAN element in your frame.

This makes a big difference because the person/persons in the photograph serve as a reference point to determine the giant size and scale of the structure. It helps to create the “sense of place” in the photograph too.

 
Structure in the Photograph: The Roman COLOSSEUM, Italy.

Image Copyrights ©2012 Gyaneshwari Dave

January 27, 2012

Tagore's thoughts in images - An interpretation.


When I had read “Gitanjali” the very first time, I was in high-school. I had received the masterpiece as one of my prizes for the Best Student of the School Award. All through these years, I have read the poems of the book for several times, and still, it has not lost its charm. I am a huge admirer of Rabindranath Tagore, the philosopher, the poet, the creator of the National anthem of India (& Bangladesh too).

To Indians, Tagore needs no introduction. But as many readers of this blog are non-Indians too, who may not know him, let me add here that he was the first Nobel laureate from Asia winning the prestigious honor for his collection of poems, “Gitanjali”, in 1913.

I am in absolute awe of the way he has contemplated nature and life through his simple but surreal words…And therefore while creating photographs, unknowingly or knowingly I keep getting inspired by those words. 

Here is a collection of some of my photographs where I have attempted to translate some short jottings of Gurudev Tagore into the form of images.

(1)
 
I do not ask thee into the house.

Come into my infinite loneliness, my lover.

(From:"Stray birds")



 (2)

”What language is thine, O Sea?”

“The language of eternal question.”

“What language is Thy, O Sky?”

“The language of eternal silence”

(From: "Stray birds")


(3)
 
The earth looks up at the midnight moon and muses,

‘What language is this she speaks,
When she wordlessly smiles and gazes?’

(From:"Jottings")


(4)

The leaves of the trees,
In the spring and the rains,
Tell a tale
Of which nothing remains
 
When they fall
To blend with the soil

(From:"Sparks")


(5)
 
"How may I sing to thee and worship, O Sun?" 
asked the little flower.

"By the simple silence of thy purity," answered the sun.

(From:"Stray birds")


Images & Article Copyrights © 2012 Gyaneshwari Dave



January 20, 2012

A Telephoto Lens For iPhone!



So you are enjoying your iPhone camera, but don’t you wish you could zoom more, that it had a Telephoto lens? 

Well, in case you did not know this, at around $35 you can actually attach an 8X Telephoto lens to your iPhone4/4S.

Looks like some seriously handy stuff to me... 

Here is a nice hands-on review of this lens:




For once you can slip your “Telephoto Lens” into your trousers’ pocket! :)

You can buy it here: http://photojojo.com/store/awesomeness/iphone-telephoto-lens/

                                                    Article © 2012 Gyaneshwari Dave 

January 12, 2012

“YOUR CAMERA MUST BE VERY GOOD!”- Top 5 Myths & Realities Of This Statement!






This post is for the benefit of those who believe, that there was a VERY GOOD TYPEWRITER behind a best-selling novel, A VERY GOOD FRYING PAN behind a mouthwatering dish, A VERY GOOD GUITAR behind a melodious music, and A VERY GOOD PAINT-BRUSH behind a beautiful painting...

“My images are not as nice, should I buy a “Better (Costlier)” camera?” Well, this is the question and these are the top 5 myths that (almost always) accompany it...

Myth : Your images are so sharp; YOUR CAMERA MUST BE VERY GOOD!

Reality: No matter how advanced the auto-focus or image-stabilization features of a camera get, it cannot help shaky hands and tilted focus (of eyes).
It is the manual judgment of right focusing distance, optimum shutter-speed, and perfect aperture that will make razor sharp Images, which no “Auto” mode of any given digital wonder can ever achieve.
Only the person who is behind the camera can attain this perfect co-ordination of mind, eyes & hands, not the camera.

Myth : Your images look so "Different"; YOUR CAMERA MUST BE VERY GOOD!

Reality: Well, one can create “Different” images even with the help of a cell-phone camera if he/she has the eye to look at things differently.
The insight to capture a subject from unusual angles, the ability to shoot a cliched subject from a fresh perspective or the sense to see a story  in common subjects are all human. No camera ever, will be able to suggest you the “compositions”.

Myth: Colors of your images are so vibrant; YOUR CAMERA MUST BE VERY GOOD!

Reality: Sure, the sensor quality of a camera affects the colors to a certain extent but that is where it ends. 
Even the best of best cameras can produce “flat” or “dull” images. It is your job to instruct the camera about the ISO, white balance and overall exposure. After all, human eyes can handle much wider dynamic range of colors than what a camera can “see”.
Also, it is your call on when and where and what you choose to photograph. For instance, if you choose to shoot a flower on an overcast day, your camera won’t be able to render those vibrant colors. It is your choice to shoot it in the early morning light that makes your flower photographs stand out in terms of colors.

Myth: Your images look so "Bright" YOUR CAMERA MUST BE VERY GOOD!

Reality: Well honestly, it can take books to break this myth or it can be done in a second- provided you know the simple fact that the whole tale of a photo begins and ends with one thing, “The light”.
“Exposure (Combination of ISO, Shutter-speed & Aperture)” is one thing that decides “Brightness” of an image. And with digital cameras exposure set manually is always more accurate than its “Auto”-counterpart, simply because metering systems of even the most sophisticated of cameras is not superior to a human’s judgment of light distribution in a given condition. Your camera can only capture the scene on its sensor; it’s your job to actually “see” that scene in the right light and make your camera “see” in the right light as well!

Myth: Your images look so "unusual/unique”; YOUR CAMERA MUST BE VERY GOOD!
 
Reality: Now this one is the funniest...It is not the camera but the photographer who goes to unusual places, at unusual times, chase that illusive bird, wait for hours to get everything right, get down and dirty, afford to look weird, rise really-really early in the morning...and so on...
… And yes, the button to rise early in the morning too, does not come with a camera…

Bottom-line...

First explore and understand your camera to the fullest. Make it do everything it can. And when it actually starts holding you back with “genuine technical limitations”, stopping you from creating the images you desire, then only upgrade to the next level camera.
Until then remember, that it is never the camera, it is the photographer!




Before I learned the art, a punch was just a punch, and a kick, just a kick.

After I learned the art, a punch was no longer a punch, a kick, no longer a kick.

Now that I understand the art, a punch is just a punch and a kick is just a kick.

-- Bruce Lee



Article Copyrights ©2012 Gyaneshwari Dave
Cartoon strip courtesy: whattheduck.net

January 5, 2012

Photography Tip # 3

Stock image of muffin with smiley


While photographing food, always try to highlight the "Yum factor", use shallow depth of field to achieve this.

View more Food Stock photos - Still life and candid,  here.

Image Copyrights ©2012 Gyaneshwari Dave