Barcelona, Paris, Berlin, Frankfurt, Potsdam, Cologne.
They have some of the most stunning
palaces, museums and cathedrals. Be it the astounding architectures or their
impressive history, all the tourist attractions in all these cities are
absolutely enriching – in every sense of the word- intellectually, emotionally
and, spiritually. But then, all this was already anticipated, more or
less. These larger than life attractions offered to me some absolutely precious and unexpected things to bring back with me
as a human being, but as a photographer, I found my surprise treasure trove in the
streets and in the contemporary life of Europe!
Over the time, I have realized that
composing is the part that I enjoy the most during the whole process of photography
and it delights me to the core when I am able to discover and depict something
extra-ordinary through seemingly ordinary things.
While in Europe, after every 5 minutes
of travel there was an interesting frame and at every turning point there was some
untold story. There were lots of compositions lying everywhere, full of
textures, and, with layers of meanings.
Indeed, if you can pursue at your own
pace, Europe is a heaven for street photography!!!
This post is the first one of the
special five part series about some of my street photography during my visit to
Europe. Basically, I will be sharing some of my images and my idea behind their
conceptualization.
As the title of this post suggests- this part is all about
the play of shapes! I simply enjoy creating graphic photographs. And shapes… well, I
love them!
Power
of squares!
I captured this photograph
in Barcelona. I saw this multi-storied building from a distance, and what
caught my attention instantly, was this giant square clock spanning its two
stories. What was remarkable was the co-ordination between shape of the windows and the clock and the overall geometrical
nature of the whole elevation.
Windows were square- with rectangle glass panes in each of them, then some more rectangles were on the wall
itself, the figures and needles of the clock adding some even more…But still,
one shape was visible the most - The Square. I kept these two lamp-posts in the
frame, to communicate the sense of scale of the building and to tell the viewer
that well, it was a building!
Diamonds beneath the pyramid!
I simply love the way the diamond-like portions of
the glass frame weave this beautiful and seamless pattern against the open blue
sky above them. This one is undoubtedly my most favorite image of my visit to
the Louvre!
The Disney tiles!
I noticed these brick
tiles at the entrance of the Disneyland, Paris. These cute hexagonal shaped
tiles bear on them small Disney symbols as well as the names of the families
who bought them for themselves to be installed there (presumably)forever . To
me what makes this composition interesting is that one empty (unsold) tile at
the bottom third of the frame!
Tell me how many lines and
shapes are there in total!
Another clock, but here I used it
as a frame, to picture a tiny but beautiful part of the skyline of Paris,
including the famous Basilica situated on hill- The sacre coeur. This huge clock
is installed on the building of Musée d'Orsay, Paris. The moment I saw this clock from inside the building, I thought-
“Frame within the frame !”.
And shapes- there were plenty! The roman figures of the clock, the arches, the concentric semi-circles, the radii, the triangles originating from the center of the clock, the tiny hexagons and circles at the circumference, this image is strongly a geometrical one and a visual delight therefore…
And shapes- there were plenty! The roman figures of the clock, the arches, the concentric semi-circles, the radii, the triangles originating from the center of the clock, the tiny hexagons and circles at the circumference, this image is strongly a geometrical one and a visual delight therefore…
The shapes say it all!
This
one is from the Holocaust memorial, Berlin, the Memorial to the Murdered Jews of Europe. I composed this frame sitting in
a moving tourist bus, so, could not wait for the man with woolen cap to turn
his back too, otherwise this image would have looked several notches better.
However, I managed to place the group at the right spot in the frame with nothing but the horizontal patterns of concrete slabs surrounding them. The fact that most of the people have turned their backs provides the required sentiment and poise for the location. And of course, the shapes of the slabs lend an intriguing visual texture to the image.
However, I managed to place the group at the right spot in the frame with nothing but the horizontal patterns of concrete slabs surrounding them. The fact that most of the people have turned their backs provides the required sentiment and poise for the location. And of course, the shapes of the slabs lend an intriguing visual texture to the image.
In Part-2 I will share some of my techniques on how to create suggestive frames...
Images & Article ©2013 Gyaneshwari Dave
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